To Touch Skin

the sculpting of flesh and the sentences I have formed to capture a feeling.

“When our breasts arrived
as a kind of currency, we’d tug
our camisoles low, use
our newfangled bodies to haggle
with the ice cream man. The winner
was the girl who received her chocolate cone
for free, who sucked on candy cigarettes
the same way she wore a training bra.
That summer my pockets grew forests
of hand-tied maraschino cherry stems:
tampered evidence that I might one day be worthy
of kissing. In exchange for rides
on the handlebars of their bikes,
we’d let the boys bite
the beads off our candy
necklaces until the chokers
resembled punched out teeth.
From their slobber, blue and violet
stained my throat where the sweetness
had once been, so I suppose,
Your Honor, I was preparing
for him.”

—   Megan Falley, “Beginning in an Ice Cream Truck and Ending in a Court Room (After Kim Addonizio)” 

(Source: oofpoetry)


Miyako Ishiuchi, No. 17 (from the 1906 to the Skin series), 1993.

Me

“When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern.

The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.”

—   — Anne Morrow Lindbergh’s “The Gift From The Sea”

“When I run my hand across a page of poetry I do not want oil and onionskin, I do not want slick bullshit; I want my hand to come away with blood on it. And God damn you if you are otherwise.”

—   Charles Bukowski 

(Source: oofpoetry)

How to Slowly Kill Yourself and Others in America

[A Truly great Editorial Piece]
by Kiese Laymon

I’m a walking regret, a truth-teller, a liar, a survivor, a frowning ellipsis, a witness, a dreamer, a teacher, a student, a joker, a writer whose eyes stay red, and I’m a child of this nation.

(Source: tetw)


Variation On The Word Sleep by Margaret Atwood

“To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.”

—   C.S. Lewis

Brene Brown: The Power of Vulnerability

Via Ted Talks